I complete my projects in time and make suitable arrangements to have sufficient How would you like your content/art to be? You demand it & I will deliver it.ĭuration. When it comes to creating design/art/content, I consider the below: 2D Animation for Story, Logo, Free Flow, experimental, GIFs, loops, etc My career goal is to create meaningful stories for people across the globe. I would love to be a part of a team which develops and creates stories through various visual medias. I make sure to go beyond and provide my skills adhering to the client needs. I enjoy working in visual development, script-writing, pre production process, film studies and film making. I have worked in design, illustration & animation projects. These videos have a varied use of frame by frame animation, ranging between full cel animation, to only certain elements.I am Himanshu. There is a bit of a learning curve to use each of these, or shall we say “practice curve” so many animators tend to specialize in one of the packages.īelow are a few examples from our portfolio. Two of the popular packages out there are Adobe Animate and Toonboom. There are a few different software packages that can be used for cel animation. “onion-skinning” tools which allow the illustrator to more quickly create each frame’s artwork. There are tools to speed up and simplify the process, e.g. The workflow will involve creating rough sketches to plan out the poses and motion and then after this is approved then the illustrations will be fleshed out with detail and color. The creative process will sometimes differ a bit for cel-animated work. So you can imagine the pain if you create a whole video and then show it to the boss who says he’s changed his mind about something important or didn’t notice something earlier! Production cost is also a big factor and so cel animation is more usually used in bigger budget jobs. the shape of a character it can lead to a lot of re-work as the frames will need to be re-illustrated. If you change a small aspect of the visuals, e.g. Let’s say you’re animating a bouncing ball – with path animation a bouncing ball would stay in the same (round) shape but with cel animation, you can make it change shape as it hits the ground or flies through the air.īecause it’s so time-consuming to do it can be quite unforgiving of mistakes. Cel animation allows you to change the shape of objects while it is moving. It’s also good for adding personality to character movements. It allows you to create a natural, fluid look and is good for animating things like smoke, water, and fire. Here below is an example segment taken from a video that we made, which uses cel animation.Ĭel animation differs from path-based animation where in the latter the animator will define starting and end points and the software will create the movement between those points. But, the principle is fundamentally the same with the illustrator drawing the individual frames. In the good old days, cel animation used to be done using sheets of transparent plastic called “cells” which were drawn onto. It’s very time-consuming work and hence also expensive. It’s also referred to as “traditional animation” or “cel” animation. In cel animation, the artwork is drawn individually per frame. Ultimately, to make motion look more realistic in many cases. Frame by frame animation is a type of animation used to make “flow-y” types of movement (to put it not-so-technically).
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